Moments where time could have branched differently. The conversation that didn't happen. The word that wasn't said. September 10th. The other version of the story where someone sits back down.
Transitional zones where meaning accumulates because nothing is settled. Train platforms. Airport arrivals. Hotel lobbies at 3am. The space between departure and arrival where you belong to no place.
Windows, mirrors, screens — surfaces that show you two places at once. The interior reflected onto the exterior. The real and the captured superimposed. Every transparent surface is a compositing engine.
the glass doesn't choose
which image is real.
neither do we.
theme
Residue
What remains after the thing itself is gone. VHS tracking artifacts. Cassette hiss. The warmth in a recently vacated chair. The impression in a headrest. Proof of presence that fades.
The production principle. AI artifacts are not cleaned up. Processing stages are not hidden. The collaboration between human and machine is visible in the final work. Transparency as aesthetic choice.
The Atlas is a map of recurring ideas across all exhibitions. Each node is a theme, method, or reference that connects pieces to each other. When a new exhibition is configured, its pieces are threaded into the existing map — new connections appear, old nodes gain new examples, and the web of meaning between works becomes denser over time.
Connections are defined in each piece's frontmatter. The Atlas builds itself.